![]() Step 2: Set you microphone as your audio input ![]() If you don’t have a microphone you can also use your computer’s built in microphone. If you are using a microphone or multiple microphones with an audio interface/mixer, plugin your microphone(s) into your mixer or interface, and then your interface/mixer into your computer. If you’re using a USB microphone this is as simple as just plugging it into a USB port. The first step is to connect your microphone to your computer. This will require an external audio interface or mixer. You can also use this technique to record with multiple microphones at once. This technique will also work with an XLR microphone plugged into an audio interface or mixer. Midi and Audio both affected.Here we’ll take you through how you can record a podcast with just one USB microphone in Ableton live. Please pass it on to anyone you know using ableton.Įdit (april 2014): Confirmed still the same behaviour in Ableton 9. One you monitor with, and the other you have monitoring off, and you use that track as the final recorded audio. The workaround is to set up two tracks when recording something that you need to monitor. It affects midi as well, but as there is no quantization for audio, it is a bigger issue there I think. It is a huge issue imo that I am glad I stumbled upon and wanted to make sure I passed on to this community.Ĭheck this post out: Look at how monitoring 'Auto' immediately makes the audio come in late! ![]() This makes everything that you play actually get recorded as if you played late. This is INDEPENDENT of your input latency, driver error compen, buffer size, etc. Apparently Ableton automatically adds a delay onto what gets recorded when you are playing along with software monitoring on. ![]()
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